• “A theater [Qendra Multimedia] in Kosovo is not afraid of using art to confront entrenched prejudices and to build empathy” – George Soros

  • “Brave and honest theater performance. One of the most interesting theater company from the South Eastern Europe” – Kazaliste.Hr

  • “...a true story that sets an example for all the hope for freedom, happiness and prosperity in the Europe of our days. And the disappointment.” - Frankfurter Allgemeine Zeitung

  • “This is not the first attempt to use cultural events to bridge the gap between the countries. Polip, a literary festival in Pristina, first held in 2010, has Serbian writers among those regularly invited to participate.” - The Guardian

  • “…the play is an explosion of burlesque, music and possibly offensive humor; it is simply a riot.” - Prishtina Insight

  • “A Play with Four Actors and Some Pigs...,” […] is a playfully absurd, crude, and incredibly clever portrayal of Kosovo’s political scene.” - The Theater Times

Carla del Ponte trinkt in Pristina einen Vanilla chai latte – livestream

In this Kosovo-German performance, Berlin choreographer Jochen Roller directs a new play by Prishtina-based author Jeton Neziraj. In the play, protagonist Carla del Ponte travels to Kosovo hunting for criminals of organ trade. During a short break, she goes to a Starbucks Café in Prishtina and is surprised that her favourite drink, the Vanilla Chai Latte, tastes similar as in Europe. This incident triggers a rant about the failed liberalism of Europe’s old democracies, the pornographic appeal of Western capitalism, organ trade and the superiority of Swiss knives.
Choreographer Jochen Roller puts Neziraj’s text in motion, with five supreme Kosovarian actresses who juggle the English text in a high speed choreography. The actresses madly transform from Carla del Ponte into Madeleine Allbright, a terrified German woman, Marina Abramovich, Mother Teresa, an organ seeker, an organ donor, Ulay, Bill Clinton, Elez Nikçi and Carla del Ponte’s brother.
“Carla del Ponte trinkt in Pristina einen Vanilla Chai Latte” is a dazzling performance of ever-changing perspectives and a choreography of contracting attitudes. It’s danced propaganda about the persuasiveness of ideology – fast, furious, tragic and funny.