• “A theater [Qendra Multimedia] in Kosovo is not afraid of using art to confront entrenched prejudices and to build empathy” – George Soros

  • “Brave and honest theater performance. One of the most interesting theater company from the South Eastern Europe” – Kazaliste.Hr

  • “...a true story that sets an example for all the hope for freedom, happiness and prosperity in the Europe of our days. And the disappointment.” - Frankfurter Allgemeine Zeitung

  • “This is not the first attempt to use cultural events to bridge the gap between the countries. Polip, a literary festival in Pristina, first held in 2010, has Serbian writers among those regularly invited to participate.” - The Guardian

  • “…the play is an explosion of burlesque, music and possibly offensive humor; it is simply a riot.” - Prishtina Insight

  • “A Play with Four Actors and Some Pigs...,” […] is a playfully absurd, crude, and incredibly clever portrayal of Kosovo’s political scene.” - The Theater Times

The play: Peer Gynt from Kosovo in Dodona Theatre

By: Jeton Neziraj
Directed by: Agon Myftari
Actors: Tristan Halilaj, Donikë Ahmeti, Shpetim Selmani, Bujar Ahmeti
Stage design: Nicola Minssen
Music composer: Gabriele Marangoni
Costume designer: Yllka Brada
Dramatist: Stefan Schletter


Peer Gynt from Kosovo is the story of the failure of a dream. Driven by the simple hope for a better live and the pursuit of happiness, young Peer sets out from the pre-war Kosovo to find a future in the paradise called Europe. Much of what happens to the young man on his journey reflects the experience of many young desperados who leave their homelands every year full of hope. Very often their dream becomes a nightmare, when humiliated by authorities, isolated far from home, a lack of perspective and social exclusion in their new home comes together. In their longing for recognition they often become easy victims for false friends who offer the supposed security of a group. Peer finds himself respected in a gang of Albanians who show him their criminal skills and assure him protection, but despite this promise he soon finds himself in prison. During his time in jail a gradual process of radicalization begins. Religion gives him courage, a meaning in life and strengthens his self-consciousness. Here the play shows a very present problem in our societies – the religious radicalization of young men in prison. Many of the so-called holy warriors from Europe who fight in Syria today, have been radicalized in jail.

But despite all the seriousness of the topic the play never becomes pathetic or too didactic. In the end the audience leaves the performance not only deeply concerned and thoughtful, but also perfectly entertained.


The play will be given in Dodona Theatre in Prishtina from 15:00