Kastrati’s second solo show, Public Heroes and Secrets, initiates new bodies of work developed from extensive research of workplace accidents, as well as in-depth interviews of workers who have been injured on the job. At the National Museum of Kosovo, Kastrati is going to present a new installation comprised of a series of three figurative sculptures displayed in scaffolding, each embodying the story of a workplace accident, along with a video that mirrors the dehumanization and hopelessness of the working class in Kosovo. The installation conjures up the injustice and grim reality of the workers whose needs are neglected and whose voices go unheard due to fear of retaliation. The exhibition also alludes to neoliberal policies of privatization and the role of the state institutions for creating the ground for this continued violation of the workers’ social rights. In a country with high rates of unemployment and fatal accidents at the workplace, Kastrati’s work reflects on a social system that is largely unregulated and often exploits workers. The exhibition title, “Public Heroes and Secrets” is a verse from Robert Bolaño’s poetry, “Godzilla in Mexico.”